In: Musicologica Slovaca , vol. 13, no. 2
Janka Petőczová 
Details:
Year, pages: 2022, 167 - 180
Language: slo
Keywords:
historical musicology, Dobroslav Orel, Slovak musical historiography, history of music, Czech-Slovak context
Article type: Štúdie / Studies
Document type: Časopis
About article:
The musicological work of Dobroslav Orel (1870–1942) covers a wide range of activities in the field of musical historiography. He is closely linked to the establishment of the Musicological Seminar at the Philosophical Faculty of the Comenius University in Bratislava (1921); he also established a research center for heuristic research of musical sources preserved in Slovakia. The work of Professor Orel is described and reflected on by his disciples – Konštantín Hudec, Antonín Hořejš, Zdenka Bokesová-Hanáková, as well as by the later generation of Slovakian musicologists – Jozef Kresánek, Ladislav Burlas, Richard Rybarič, Ladislav Mokrý and others. The goal of this contribution is to provide an outline of his research into the ancient
history of music as reflected in the works of Slovakian musicologists, as well as assessing his methodological points of departure from the perspective of the present state of musicology.
How to cite:
ISO 690:
Petőczová, J. 2022. Dobroslav Orel a slovenská hudobná historiografia (česko-slovenský kontext). In Musicologica Slovaca , vol. 13, no.2, pp. 167-180. 1338-2594. DOI: https://doi.org/10.31577/musicoslov.2022.2.2
APA:
Petőczová, J. (2022). Dobroslav Orel a slovenská hudobná historiografia (česko-slovenský kontext). Musicologica Slovaca , 13(2), 167-180. 1338-2594. DOI: https://doi.org/10.31577/musicoslov.2022.2.2
About edition:
Publisher: Ústav hudobnej vedy SAV, v.v.i.
Published: 21. 11. 2022
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