In: Musicologica Slovaca , vol. 4, no. 2
Andrej Čepec
Details:
Year, pages: 2013, 276 - 305
Article type: Materiály
About article:
The paper presents the compositional legacy of Countess Ludmilla Giźycka-Zamoyska (1829 –
1889) in the light of an evaluation of primary and secondary sources. It includes the most complete
register hitherto of this composer’s work. In terms of genre there are songs, compositions for
piano, choral works, and chamber music. 38 works survive, part of which has the character of
collections: this involves mainly song and piano work. The source material comprises autographs,
copies and prints. An unusual feature of the manuscripts is that some of the composer’s works
survive only in the form of autographs by F. Liszt and J. v. Herbeck. Ludmilla Giźycka-
-Zamoyska’s works often took their final form following consultations with such prominent
personalities as F. Liszt, G. Nottebohm, C. Schumann, S. Heinze, J. v. Herbeck, C. F. Kahnt and
others. This author’s compositional activity is an indication of the high level of musical cultivation
in aristocratic families of the second half of the 19th century in central Europe. The works capture
the formation of the contemporary repertoire of concerts in aristocratic salons.
How to cite:
ISO 690:
Čepec, A. 2013. Ludmilla Giźycka-Zamoyska a jej hudobná tvorba. In Musicologica Slovaca , vol. 4, no.2, pp. 276-305. 1338-2594.
APA:
Čepec, A. (2013). Ludmilla Giźycka-Zamoyska a jej hudobná tvorba. Musicologica Slovaca , 4(2), 276-305. 1338-2594.