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Monography profile

Content
Editorial Note, strany: 7-11  Full text
Information
Publishers: Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences
Book type: edited book
Edition: 1.
Published: 14. 9. 2021
Edition year: 2021
Edition place: Bratislava
Pages: 268
Language: English
ISBN 978-80-224-1911-6 (print)
Public license: Creative Commons Attribution-NonCommercial 4.0 International Public License (CC BY-NC 4.0)
How to cite
ISO 690:
Mojžišová, M. ed.: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. 1 vyd. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences. 2021. pp. 268. ISBN 978-80-224-1911-6.

APA:
Mojžišová, M. ed(2021). Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences. ISBN 978-80-224-1911-6.
Chapter details
In: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives
Veronika Kusz

“He Never Said that it Had to be Played a Certain Way.” Ernst von Dohnányi on Teaching Music and Musical Interpretation

Although, unlike many of his contemporaries, the world-known musician and native of Pressburg Ernő (Ernst von) Dohnányi (1877 ‒ 1960) did not leave an extensive legacy of prose writings, a surprisingly large number of documents surfaced during the preparation of the edited collection of his writings and interviews (published in 2020 by Rózsavölgyi, Budapest). During his long life filled with wide-ranging professional activities, he seems to have authored numerous writings pertinent to the history of music and musical life: memoirs, articles and lectures on pedagogy, proposals for organizations, statements on public affairs, etc. Equally informative are the interviews he gave in his various capacities as composer, performer, teacher, and director of an institution. Based on his various lectures, interviews, prefaces, and recollections, this study aims to present Dohnányi’s views on teaching musical interpretation, including the authenticity of interpretation, the importance of familiarity with the style, the damaging influence of sound recordings, the technical background of a musical production, and the teachable elements of musical performance.
Information
Pages: 100 - 113
Language: English
Edition year: 2021
Keywords:
Ernő (Ernst von) Dohnányi, Pressburg, music pedagogy, interpretation, piano technique, sight-reading

How to cite

ISO 690:
Kusz, V.: 2021. “He Never Said that it Had to be Played a Certain Way.” Ernst von Dohnányi on Teaching Music and Musical Interpretation. In: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. 1. vyd. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, pp.100-113. ISBN 978-80-224-1911-6.

APA:
Kusz, V.. (2021). “He Never Said that it Had to be Played a Certain Way.” Ernst von Dohnányi on Teaching Music and Musical Interpretation. Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, 100-113. ISBN 978-80-224-1911-6.