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Content
Editorial Note, strany: 7-11  Full text
Information
Publishers: Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences
Book type: edited book
Edition: 1.
Published: 14. 9. 2021
Edition year: 2021
Edition place: Bratislava
Pages: 268
Language: English
ISBN 978-80-224-1911-6 (print)
Public license: Creative Commons Attribution-NonCommercial 4.0 International Public License (CC BY-NC 4.0)
How to cite
ISO 690:
Mojžišová, M. ed.: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. 1 vyd. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences. 2021. pp. 268. ISBN 978-80-224-1911-6.

APA:
Mojžišová, M. ed. (2021). Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences. ISBN 978-80-224-1911-6.
Chapter details
In: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives
Péter Bozó

The Butterfly and the Lion. Intersections between the Reception of Wagner and Offenbach in Nineteenth-Century Budapest

It is strange to find Wagner and Offenbach mentioned together in the reception of their music in nineteenth-century Budapest and measured against one another in the Hungarian press. This study seeks to interpret the before-mentioned juxtaposition in terms of the system of theatrical institutions in Budapest on the basis of contemporary reviews of theatrical performances. The identified factors that directly concern the way the (Austro-)Hungarian public received these two stage composers are: the multinational and multicultural character of the theatre life, the need to distinguish between genres, and the ongoing changes in the institutional theatre system. I point out that Offenbach and Wagner could be compared and measured against each other in contemporary Hungarian press partly because the works of both composers appeared around the same time, partly because they were played in the same institution, the National Theatre, and also because both musicians gave guest performances there within a short span of time.
Information
Pages: 12 - 24
Language: anglický
Edition year: 2021
Keywords:
Richard Wagner, Jacques Offenbach, reception history, theatrical landscape, Budapest

How to cite

ISO 690:
Bozó, P.: 2021. The Butterfly and the Lion. Intersections between the Reception of Wagner and Offenbach in Nineteenth-Century Budapest. In: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. 1. vyd. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, pp.12-24. ISBN 978-80-224-1911-6.

APA:
Bozó, P.. (2021). The Butterfly and the Lion. Intersections between the Reception of Wagner and Offenbach in Nineteenth-Century Budapest. Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, 12-24. ISBN 978-80-224-1911-6.