Čardáš - ľudový tanec v historickom kontexte

Rok, strany: 2006, 47 - 83

Careful study of the available chorological and musicological literature as well as dancing art in its authentic and stylized form confirms the significant position, task and importance of čardáš not only between dances as such, but also in a broader cultural and social life. Čardáš emerged in the end of 19th century on the base of Central European spin dances of the older style, verbunks and court European duo dances as a contribution to the contemporary tendency to create saloon dances using older folk tradition. As an artificial and to the certain extent authorial and intentional product of Hungarian attempts to revive national culture čardáš was a synthesis of the important elements of older spin dances. They were created and performed by all nationalities living in the terrirotry of the historical Hungary, which faciliated the reverse acceptation of čardáš culture in folk environment. On the base of the folk dance (performed usually on Sundays in pubs - in Hungarian csárda, hence čardáš) Lajos Szőllősy Szabó and Márk Rózsavölgyi created Hungarian square dance - Körtánc, which became the national representative of the Hungarian high society.

ISO 690:

Skraková, B. 2006. Čardáš - ľudový tanec v historickom kontexte. In Slovenský národopis / Slovak Ethnology, vol. 54, no.1, pp. 47-83. 1339-9357.

APA:

Skraková, B. (2006). Čardáš - ľudový tanec v historickom kontexte. Slovenský národopis / Slovak Ethnology, 54(1), 47-83. 1339-9357.