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Obsah
Editorial Note, strany: 7-11  Full text
Údaje
Vydavatelia: Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences
Typ knihy: editorovaná kniha
Vydanie: 1.
Publikované: 14. 9. 2021
Rok vydania: 2021
Miesto vydania: Bratislava
Počet strán: 268
Jazyk: anglický
ISBN 978-80-224-1911-6 (print)
Verejná licencia: Creative Commons Attribution-NonCommercial 4.0 International Public License (CC BY-NC 4.0)
Ako citovať
ISO 690:
Mojžišová, M. ed.: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. 1 vyd. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences. 2021. pp. 268. ISBN 978-80-224-1911-6.
APA:
Mojžišová, M. ed. (2021). Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences. ISBN 978-80-224-1911-6.
O kapitole
In: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives
Martin Hodoň

Contemporary Dance in the Context of Slovak and European Discourse

In 2006, five young Slovak dancers Milan Herich, Milan Tomášik, Anton Lachký, Peter Jaško, and Martin Kilvády founded an independent Les SlovaKs Dance Collective in Brussels, which is one of the centres of contemporary dance. Les SlovaKs focused mainly on contemporary dance, and gradually each of the members devised his own language and unique means of expression. In parallel with their interpretive activities, they also began to work as choreographers. Their cooperation oscillated between foreign and Slovak productions. In no time, Les SlovaKs dancers ranked among the top contemporary dancers, and the collective’s work and direction represent one of the fundamental impulses for Slovak and Central European contemporary dance. In addition to characterising the poetics of this collective connecting “domestic” and “world” attributes, the study focuses especially on the work of choreographer Anton Lachký, who puts to use extreme music means of expression in both his creation and the Puzzle Work technique of composition.
Údaje
Strany: 224 - 240
Jazyk: anglický
Rok vydania: 2021
Kľúčové slová:
contemporary dance, Kathak, dance composition, Puzzle Work, Les SlovaKs, Anton Lachký

Ako citovať

ISO 690:
Hodoň, M.: 2021. Contemporary Dance in the Context of Slovak and European Discourse. In: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. 1. vyd. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, pp.224-240. ISBN 978-80-224-1911-6.

APA:
Hodoň, M.. (2021). Contemporary Dance in the Context of Slovak and European Discourse. Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, 224-240. ISBN 978-80-224-1911-6.