Obsah
Editorial Note, strany: 7-11 Full text
The Impact of European Theatre on Slovak Opera Staging Practice, strany: 204-223 Full text
A Theatre of Visual Excellence, strany: 241-260 Full text
Údaje
Vydavatelia: Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences
Typ knihy: editorovaná kniha
Vydanie: 1.
Publikované: 14. 9. 2021
Rok vydania: 2021
Miesto vydania: Bratislava
Počet strán: 268
Jazyk: anglický
ISBN 978-80-224-1911-6 (print)
Verejná licencia: Creative Commons Attribution-NonCommercial 4.0 International Public License (CC BY-NC 4.0)
Ako citovať
ISO 690:
Mojžišová, M. ed.: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. 1 vyd. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences. 2021. pp. 268. ISBN 978-80-224-1911-6.
APA:
Mojžišová, M. ed. (2021). Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences. ISBN 978-80-224-1911-6.
O kapitole
In: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives
Branko Ladič
”Cultural Exchange“ on the Stage of the Slovak National Theatre at the Time of the Slovak Republic (1939 – 1945)
New social-political conditions related to the creation of the independent Slovak Republic (1939 – 1945) at the time of the Second World War brought remarkable changes in the area of culture. Passing over the changes in the internal musical culture, which involve independence (including the newly formed Slovak Radio and its orchestra, and subsequently the Slovak National Theatre) and the birth of a new cultural institutions (e.g. the birth of the State Conservatory in 1941), the “cultural exchange” between the “allied” states was very important. This “cultural exchange” enriched through the appearance of orchestras, chamber ensembles, choirs, and soloists – the instrumentalists and singers – the cultural life of the capital Bratislava. The visiting artists came from the countries of the Axis states, or their allies. Despite the
aggravating circumstances during the war, there were nevertheless very considerable events (the majority of the names of the artists is still well known in the cultural
consciousness of Europe). On the stage of Slovak National Theatre, besides the appearance of the guest soloists or conductors, the cultural exchange took its form in
the bringing of operatic novelties from „allied“ states to the scene: this included 4 operas during the war – Peer Gynt (1941) by the German Werner Egk (1901 – 1983),
Salambo (1942) by Bulgarian composer Veselin Stoyanov (1902 – 1969), La farsa amorosa (1943) by Riccardo Zandonai (1883 – 1944) and Ero s onoga svijeta [Ero The Joker, 1943] by Croatian composer Jakov Gotovac (1895 – 1982). In this contribution I want to introduce these operas, their artistic realisations and perception in the cultural life of Bratislava.
Údaje
Strany: 182 - 203
Jazyk: anglický
Rok vydania: 2021
Kľúčové slová:
Slovak National Theatre, operatic dramaturgy, cultural exchange, Štefan Hoza, Werner Egk, Veselin Stoyanov, Riccardo Zandonai, Jakov Gotovac
Ako citovať
ISO 690:
Ladič, B.: 2021. ”Cultural Exchange“ on the Stage of the Slovak National Theatre at the Time of the Slovak Republic (1939 – 1945). In: Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. 1. vyd. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, pp.182-203. ISBN 978-80-224-1911-6.
APA:
Ladič, B.. (2021). ”Cultural Exchange“ on the Stage of the Slovak National Theatre at the Time of the Slovak Republic (1939 – 1945). Cultural and Artistic Transfers in Theatre and Music: Past, Present, and Perspectives. Bratislava : Art Research Centre of the Slovak Academy of Sciences Institute of Theatre and Film Research, VEDA Publishing House of the Slovak Academy of Sciences, 182-203. ISBN 978-80-224-1911-6.