In: Musicologica Slovaca , vol. 6, no. 2
Peter Ruščin 
Detaily:
Rok, strany: 2015, 250 - 265
Kľúčové slová:
Manuale musico-liturgicum, František Žaškovský, Andrej Žaškovský, ritual,
litrugical song, hymn, organ accompaniment to hymn-singing
Typ článku: 1 Štúdie
O článku:
Te liturgical handbook Manuale musico-liturgicum (Editio latino-slavica) by František
Žaškovský (Eger 1853) is the second published Latin-Slovak ritual, aſter the Cantionale Rituale
of 1681 by the Piarist Father Mikuláš Hausenka. Te handbook contains liturgical chants and
songs for the most important Holy Days and church ceremonies and is designed for organists
and singers in the choirs of parish churches. It also includes 31 hymns to Slovak texts, of which
9 have organ accompaniment and two are adaptations for four voices. Te editor, together with
his brother Andrej Žaškovský, adopted and modified some hymns from older Slovak hymnals.
Apart from that, they also created some texts and tunes of their own. Te Slovak Catholic
hymns with organ accompaniment had been published for the first time in 1847 (Martin Eliáš).
As compared to M. Eliáš, the Žaškovský brothers worked out their organ accompaniment to
the hymns in a more modern manner, using organ interludes in the mode of figurative passages
between the lines or musical phrases. Tey attempted to resolve these interludes variably, in an
attempt to avoid triviality and mannerism. Teir ideal was rather a classical moderation and
sense of proportion, and in this they stand somewhere between the classical school and the new
sound ideal of another generation of organists in the second half of the 19th century.
Te liturgical handbook Manuale musico-liturgicum (Editio latino-slavica) by František
Žaškovský (Eger 1853) is the second published Latin-Slovak ritual, aſter the Cantionale Rituale
of 1681 by the Piarist Father Mikuláš Hausenka. Te handbook contains liturgical chants and
songs for the most important Holy Days and church ceremonies and is designed for organists
and singers in the choirs of parish churches. It also includes 31 hymns to Slovak texts, of which
9 have organ accompaniment and two are adaptations for four voices. Te editor, together with
his brother Andrej Žaškovský, adopted and modified some hymns from older Slovak hymnals.
Apart from that, they also created some texts and tunes of their own. Te Slovak Catholic
hymns with organ accompaniment had been published for the first time in 1847 (Martin Eliáš).
As compared to M. Eliáš, the Žaškovský brothers worked out their organ accompaniment to
the hymns in a more modern manner, using organ interludes in the mode of figurative passages
between the lines or musical phrases. Tey attempted to resolve these interludes variably, in an
attempt to avoid triviality and mannerism. Teir ideal was rather a classical moderation and
sense of proportion, and in this they stand somewhere between the classical school and the new
sound ideal of another generation of organists in the second half of the 19th century.
Ako citovať:
ISO 690:
Ruščin, P. 2015. Duchovné piesne v Manuale musico-liturgicum (Editio latino-slavica 1853) Františka Žaškovského. In Musicologica Slovaca , vol. 6, no.2, pp. 250-265. 1338-2594.
APA:
Ruščin, P. (2015). Duchovné piesne v Manuale musico-liturgicum (Editio latino-slavica 1853) Františka Žaškovského. Musicologica Slovaca , 6(2), 250-265. 1338-2594.