In: Slovenské divadlo, vol. 56, no. 3
Miloslav Blahynka
Detaily:
Rok, strany: 2008, 345 - 351
Typ článku: 1 štúdia / 1 studie
O článku:
The paper analyzes two production approaches to the interpretation of the 19th
century Czech opera: to Smetana‘s Hubička (The Kiss, 1876), directed by Pavel Smolík
in the Slovak National Theatre Opera, in 2003, and to Dvořák‘s Rusalka (1901), directed
by Jiří Nekvasil in the Slovak National Theatre Opera, in 2005. Both the directors
have had a lucky hand in bringing the interpretation of these two operatic pieces up
to date using the tools of modern direction theatre in opera. Both productions show
a connection between the perception past of these operas and their contemporary
interpretation, both production presuppose a critical involvement of the audiences
who interpret the stage form on the basis of the perception past of these two operas.
The stage forms of Hubička and Rusalka capitalize on the diversity of relations between
the text and their stage forms, thus opening new prospects for other production
interpretations.
Ako citovať:
ISO 690:
Blahynka, M. 2008. Nové režij né výklady českej opery 19. storočia. (Na príkladoch Smolíkovej inscenácie Hubičky a Nekvasilovej Rusalky v SND). In Slovenské divadlo, vol. 56, no.3, pp. 345-351. 0037-699X.
APA:
Blahynka, M. (2008). Nové režij né výklady českej opery 19. storočia. (Na príkladoch Smolíkovej inscenácie Hubičky a Nekvasilovej Rusalky v SND). Slovenské divadlo, 56(3), 345-351. 0037-699X.