In: Slovenské divadlo, vol. 56, no. 3
Pavel Unger
Details:
Year, pages: 2008, 341 - 344
Article type: 1 štúdia / 1 studie
About article:
Internationally, the diff erences between directors specializing in opera and directors
active in other genres (drama, fi lm, dance, and puppet theatre) have been removed.
The author ponders over the existence of similar blending in Slovakia and to
what extent would this enrich the national operatic life. He makes a statement that
in the time period under survey the most distinct personality was that of the director
Jozef Bednárik; however, his peculiar poetics has worn away and lost its innovative
spirit. New elements, combining the opera with pantomime and puppet-play, have
been introduced by Milan Sládek. Distinguished directors Roman Polák and Martin
Huba are at a stage of experimenting with the use of drama means of expression in
opera.
How to cite:
ISO 690:
Unger, P. 2008. Vplyv „neoperných“ režisérov na slovenskú operu na prelome storočí. In Slovenské divadlo, vol. 56, no.3, pp. 341-344. 0037-699X.
APA:
Unger, P. (2008). Vplyv „neoperných“ režisérov na slovenskú operu na prelome storočí. Slovenské divadlo, 56(3), 341-344. 0037-699X.