In: Musicologica Slovaca , vol. 4, no. 2
Detaily:
Rok, strany: 2013, 187 - 196
Kľúčové slová:
Slovak folk song, genetico-historical theory, interdisciplinary context, folk
musical thinking, integrative model of musicology
Typ článku: 1 Štúdie
O článku:
Jozef Kresánek’s 1951 monograph Slovenská ľudová pieseň zo stanoviska hudobného [The
Slovak Folk Song from the Musical Standpoint] (1951, 21997) is of fundamental significance
for Slovak musicology. Here the author summarised the currently existing findings on Slovak
folk song and music and re-evaluated them on a modern methodological basis, forming
a systematically compact genetico-historical theory. Its foundation is the concept of “folk
musical thinking” and its development on the territory of Slovakia. He synthesises insights
from a number of scholarly disciplines: musical folkloristics and comparative musicology of
the first half of the 20th century, music theory, music historiography, musical sociology, and
partly also musical aesthetics and musical psychology. The interdisciplinary context of his
research has already incorporated all the attributes of an integrated model of musicology.
Jozef Kresánek afterwards applied this model in the entirety of his scholarly work and thus
influenced the further evolution of Slovak musicology.
Ako citovať:
ISO 690:
Urbancová, H. 2013. Interdisciplinárne kontexty Kresánkovej teórie o slovenskej ľudovej piesni. In Musicologica Slovaca , vol. 4, no.2, pp. 187-196. 1338-2594.
APA:
Urbancová, H. (2013). Interdisciplinárne kontexty Kresánkovej teórie o slovenskej ľudovej piesni. Musicologica Slovaca , 4(2), 187-196. 1338-2594.