In: Slovenské divadlo, vol. 56, no. 3
Milan Polák
Detaily:
Rok, strany: 2008, 294 - 301
Typ článku: 1 štúdia / 1 studie
O článku:
The author focused on that part of theatrical activities which stand in opposition
to, or, which are, in fact, an open protest against the conventional theatre. Various
manifestations of these activities are covered by the term of alternative theatre. These
theatrical manifestations would give prominence to sensations, or the fragments of
sensations, rather than to a dramatic plot. They express the inner disposition of their
architects, i.e. sensations which respond to the impulses of dynamic, internally controversial,
and, oft entimes, brutal and vulgar reality. As a rule, they are expressed
as opposition to the reality experienced, as disenchantment, defi ance, apathy, helplessness,
and a desperate seeking of the ways out. Author contemplates and names
signs which are peculiar to the alternative theatre within the context of production
practice, which make it distinct from the conventional theatre and place it in modern,
experimental and ever-seeking theatrical stream. The starting point is the characteristics
and analysis of several concrete theatrical national and international activities
of recent years.
Ako citovať:
ISO 690:
Polák, M. 2008. Alternatívne divadlo a jeho pocitové fragmenty. In Slovenské divadlo, vol. 56, no.3, pp. 294-301. 0037-699X.
APA:
Polák, M. (2008). Alternatívne divadlo a jeho pocitové fragmenty. Slovenské divadlo, 56(3), 294-301. 0037-699X.