In: ARS, vol. 58, no. 2
Miško Šuvaković
Detaily:
Strany: 159 - 171
Jazyk: eng
Kľúčové slová:
Anti-Happening, ČSSR, Inverse Situationism, question mark, Slovakian Society, U.F.O.,
Universal-Cultural Futurological Operation
Typ článku: Štúdie / Articles
O článku:
The central subject and theme of this study is the self-referential discussion, critical analysis and interpretation
of the lifestyle, artistic context, and various media and post-media realizations of Slovak
Neo-Avant-Garde artist Július Koller. The concepts, artworks, and documents of Július Koller are
discussed in relation to Western, Eastern European, Czechoslovakian, and Slovak Neo-Avant-Garde
and Conceptual Art. Special attention is given to the analysis and understanding of Koller’s ideas
and his realizations of Anti-Happenings, Anti-Paintings, textual works, and the U.F.O. project. The
ideologies of Eastern European situationism (Invers Situationism) are confronted with the conditions of
Neo-Avant-Garde integration of art and life, that is, alienation and emancipation of human ordinary
life. The aim of this study is to confront the singular and universal characteristics of artistic work on
the margins of real socialism and the transition of real socialism to capitalism.
Ako citovať:
ISO 690:
Šuvaković, M. 2025. Július Koller : : : Inverse Situationism. In ARS, vol. 58, no.2, pp. 159-171. 0044-9008. DOI: https://doi.org/10.31577/ars-2025-00010
APA:
Šuvaković, M. (2025). Július Koller : : : Inverse Situationism. ARS, 58(2), 159-171. 0044-9008. DOI: https://doi.org/10.31577/ars-2025-00010
O vydaní:
Publikované: 1. 12. 2025