In: Musicologica Slovaca , vol. 13, no. 2
Janka Petőczová 
Detaily:
Rok, strany: 2022, 167 - 180
Jazyk: slo
Kľúčové slová:
historical musicology, Dobroslav Orel, Slovak musical historiography, history of music, Czech-Slovak context
Typ článku: Štúdie / Studies
Typ dokumentu: Časopis
O článku:
The musicological work of Dobroslav Orel (1870–1942) covers a wide range of activities in the field of musical historiography. He is closely linked to the establishment of the Musicological Seminar at the Philosophical Faculty of the Comenius University in Bratislava (1921); he also established a research center for heuristic research of musical sources preserved in Slovakia. The work of Professor Orel is described and reflected on by his disciples – Konštantín Hudec, Antonín Hořejš, Zdenka Bokesová-Hanáková, as well as by the later generation of Slovakian musicologists – Jozef Kresánek, Ladislav Burlas, Richard Rybarič, Ladislav Mokrý and others. The goal of this contribution is to provide an outline of his research into the ancient
history of music as reflected in the works of Slovakian musicologists, as well as assessing his methodological points of departure from the perspective of the present state of musicology.
Ako citovať:
ISO 690:
Petőczová, J. 2022. Dobroslav Orel a slovenská hudobná historiografia (česko-slovenský kontext). In Musicologica Slovaca , vol. 13, no.2, pp. 167-180. 1338-2594. DOI: https://doi.org/10.31577/musicoslov.2022.2.2
APA:
Petőczová, J. (2022). Dobroslav Orel a slovenská hudobná historiografia (česko-slovenský kontext). Musicologica Slovaca , 13(2), 167-180. 1338-2594. DOI: https://doi.org/10.31577/musicoslov.2022.2.2
O vydaní:
Vydavateľ: Ústav hudobnej vedy SAV, v.v.i.
Publikované: 21. 11. 2022
Verejná licencia:
