In: Slovenské divadlo, vol. 70, no. 3
Michaela Mojžišová
Detaily:
Rok, strany: 2022, 256 - 269
Jazyk: eng
Kľúčové slová:
Peter Konwitschny, opera theatre, opera score, musical symbols, ballet music
Typ článku: štúdia
O článku:
Besides the left-wing commitment of their ideological interpretations, the productions of the German director Peter Konwitschny are characterized by the appearance of some recognizable, constantly occurring signs which have acquired the semantic meaning of isotopies during the almost four decades of his opera directing activities. In this study, the author focuses on the procedures typical of the director’s work, which are directly derived from the
musical material of the staged scores. On the example of some selected productions, she demonstrates that, although Konwitschny often interprets operas in the context of their staging tradition provocatively, his musicological erudition enhances the ideological and aesthetic values of his directorial argumentation.
Ako citovať:
ISO 690:
Mojžišová, M. 2022. PETER KONWITSCHNY’S MUSICOLOGICALLY ERUDITE OPERA DIRECTION. In Slovenské divadlo, vol. 70, no.3, pp. 256-269. 0037-699X. DOI: https://doi.org/10.31577/sd-2022-0017
APA:
Mojžišová, M. (2022). PETER KONWITSCHNY’S MUSICOLOGICALLY ERUDITE OPERA DIRECTION. Slovenské divadlo, 70(3), 256-269. 0037-699X. DOI: https://doi.org/10.31577/sd-2022-0017
O vydaní:
Vydavateľ: Ústav divadelnej a filmovej vedy CVU SAV
Publikované: 30. 9. 2022
Verejná licencia: