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Piesňový žáner trávnic v slovenskej zborovej hudbe 20. storočia

In: Musicologica Slovaca , vol. 10, no. 2
Kristína Gotthardtová Číslo ORCID
Detaily:
Rok, strany: 2019, 217 - 238
Jazyk: slo
Kľúčové slová:
meadow songs trávnice, music for choirs, composers, folk model, compositional approach
Typ článku: 1. Štúdie / Studies
O článku:
Meadow songs (lúčne piesne, trávnice) are a folk song genre which was widespread in the mountain regions of Slovakia, as part of the traditional song repertoire of women. In the 19th century they caught the attention of collectors and composers, in connection with the formation of a Slovak national and cultural identity. During the 20th century they acquired a central significance for several generations of Slovak composers. The traditional singing of the meadow songs gave inspiration to composers in terms of musical form, multipartsinging, metre and rhythm, harmony, sonorousness, and the line-up of singers in the choir. Taking the example of selected composers and their compositions for choirs, an analysis is made of the diverse approaches in their treatment of the folk model. The analysis identified several stages in the composers’ work with folk material: from simple arrangements to restylisations where the composer has altered the original folk tune more significantly.
Meadow songs (lúčne piesne, trávnice) are a folk song genre which was widespread in the mountain regions of Slovakia, as part of the traditional song repertoire of women. In the 19th century they caught the attention of collectors and composers, in connection with the formation of a Slovak national and cultural identity. During the 20th century they acquired a central significance for several generations of Slovak composers. The traditional singing of the meadow songs gave inspiration to composers in terms of musical form, multipartsinging, metre and rhythm, harmony, sonorousness, and the line-up of singers in the choir. Taking the example of selected composers and their compositions for choirs, an analysis is made of the diverse approaches in their treatment of the folk model. The analysis identified several stages in the composers’ work with folk material: from simple arrangements to restylisations where the composer has altered the original folk tune more significantly.
Ako citovať:
ISO 690:
Gotthardtová, K. 2019. Piesňový žáner trávnic v slovenskej zborovej hudbe 20. storočia. In Musicologica Slovaca , vol. 10, no.2, pp. 217-238. 1338-2594.

APA:
Gotthardtová, K. (2019). Piesňový žáner trávnic v slovenskej zborovej hudbe 20. storočia. Musicologica Slovaca , 10(2), 217-238. 1338-2594.
O vydaní:
Vydavateľ: Ústav hudobnej vedy SAV
Publikované: 18. 12. 2019