In: Slovenský národopis / Slovak Ethnology, vol. 66, no. 1
Jana Ambrózová 
Detaily:
Rok, strany: 2018, 29 - 55
Jazyk: slo
Kľúčové slová:
recording technology, digital technology, analysis, ethnoorganology, musical transcription
Typ článku: 2.štúdie / 2.articles
Typ dokumentu: PDF
O článku:
Comparative musical science, later ethnomusicology, was born and, in the positive
sense of the word, developed in close relation to the historic development of audio-visual recording technologies. Especially its music analysis methods went through an important process of improvement in the last third of the 20th century in connection with the fast development of digital and later information and communication technologies and, above all, with the intensive improvement of technological devices which are capable of visualising the physical parameters of sound signals. This paper describes the background of the most important areas of ethnomusicological research of folk musical instruments in Slovakia in the context of the international scientific discourse. It deals with the forms of application of digital technologies in ethnoorganological research, the methodological issues associated with the sound recording of musical performers and, finally, with the specificities of the
analysis of instrumental music sound records with an emphasis on the current research of playing styles. Digital technologies play a key role in all research stages leading to the understanding of the vocal essence of traditional music. This relates to several distinctive theoretical and methodological issues, a selection of which is
discussed in the final part of the text.
Comparative musical science, later ethnomusicology, was born and, in the positive
sense of the word, developed in close relation to the historic development of audio-visual recording technologies. Especially its music analysis methods went through an important process of improvement in the last third of the 20th century in connection with the fast development of digital and later information and communication technologies and, above all, with the intensive improvement of technological devices which are capable of visualising the physical parameters of sound signals. This paper describes the background of the most important areas of ethnomusicological research of folk musical instruments in Slovakia in the context of the international scientific discourse. It deals with the forms of application of digital technologies in ethnoorganological research, the methodological issues associated with the sound recording of musical performers and, finally, with the specificities of the
analysis of instrumental music sound records with an emphasis on the current research of playing styles. Digital technologies play a key role in all research stages leading to the understanding of the vocal essence of traditional music. This relates to several distinctive theoretical and methodological issues, a selection of which is
discussed in the final part of the text.
Ako citovať:
ISO 690:
Ambrózová, J. 2018. Aplikácia digitálnych technológií vo výskume tradičnej inštrumentálnej hudby na Slovensku. In Slovenský národopis / Slovak Ethnology, vol. 66, no.1, pp. 29-55. 1339-9357. DOI: https://doi.org/10.26363/SN.2018.1.02
APA:
Ambrózová, J. (2018). Aplikácia digitálnych technológií vo výskume tradičnej inštrumentálnej hudby na Slovensku. Slovenský národopis / Slovak Ethnology, 66(1), 29-55. 1339-9357. DOI: https://doi.org/10.26363/SN.2018.1.02
O vydaní:
Vydavateľ: Ústav etnológie a sociálnej antropológie SAV
Publikované: 8. 4. 2018