In: Musicologica Slovaca , vol. 6, no. 2
Eva Szórádová
Detaily:
Rok, strany: 2015, 151 - 175
Kľúčové slová:
Bratislava/Pressburg, piano culture, keyboard instruments, fortepiano, Johann Nepomuk Erdődy
Typ článku: 1 Štúdie
O článku:
Te paper presents a picture of piano culture in Bratislava in the second half of the 18th
century and especially aſter 1770, the period which saw the hammer piano make a remarkable
advance and even win dominance in European musical culture. Te research is based on
sources primarily of Bratislava provenance, which document piano culture among various
social layers (aristrocratic, bourgeois, church and school milieux) and resulting from
the work of influential figures who contributed to its development (composers, teachers,
organisers, patrons, musical dilettantes, instrument-builders). Given the broad scope of the
question, a selected approach is taken in this study, focusing especially on the circumstances
and conditions in which piano culture evolved in Bratislava: opportunities for the cultivation
of piano playing, reports on keyboard instruments in the press, concerts and events,
manufacture of instruments. Particular attention is devoted to Johann Nepomuk Erdődy
and his role in piano culture. Te findings and presentation of sources are confronted with
the picture of Viennese piano culture, which, mediated by the activities of a variety of social
layers, contributed in a specific manner to the profile of piano culture in Bratislava.
Te paper presents a picture of piano culture in Bratislava in the second half of the 18th
century and especially aſter 1770, the period which saw the hammer piano make a remarkable
advance and even win dominance in European musical culture. Te research is based on
sources primarily of Bratislava provenance, which document piano culture among various
social layers (aristrocratic, bourgeois, church and school milieux) and resulting from
the work of influential figures who contributed to its development (composers, teachers,
organisers, patrons, musical dilettantes, instrument-builders). Given the broad scope of the
question, a selected approach is taken in this study, focusing especially on the circumstances
and conditions in which piano culture evolved in Bratislava: opportunities for the cultivation
of piano playing, reports on keyboard instruments in the press, concerts and events,
manufacture of instruments. Particular attention is devoted to Johann Nepomuk Erdődy
and his role in piano culture. Te findings and presentation of sources are confronted with
the picture of Viennese piano culture, which, mediated by the activities of a variety of social
layers, contributed in a specific manner to the profile of piano culture in Bratislava.
Ako citovať:
ISO 690:
Szórádová, E. 2015. Klavírna kultúra v Bratislave v rokoch 1770 – 1830 (I). In Musicologica Slovaca , vol. 6, no.2, pp. 151-175. 1338-2594.
APA:
Szórádová, E. (2015). Klavírna kultúra v Bratislave v rokoch 1770 – 1830 (I). Musicologica Slovaca , 6(2), 151-175. 1338-2594.