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Melodické očakávania v kontexte hudobného štýlu

In: Musicologica Slovaca , vol. 6, no. 1
Zuzana Cenkerová
Detaily:
Rok, strany: 2015, 19 - 61
Kľúčové slová:
music psychology, music expectation, melody, music style, statistical analysis
Typ článku: 1 Štúdia / 1 Studies
O článku:
Melodic expectation is generated under the influence of a number of factors including musical style, which plays an important part. Our aim is to research the differences in expectations in two distinct music styles. We wish to establish to what extent they will be governed by style-specific rules or alternatively by universal rules of melodic expectation, such as, for example, the expectation of melodically close or tonally stable notes. To identify the most imoportant differences between a corpus of hymns and a corpus of rock songs, a statistical analysis was carried out (calculating zero- and first-order transitional probabilities among adjacent tones). Subsequently 26 research subjects were asked in a “probe-tone” experiment to rate on a 1 to 7 scale to what extent the last note of the given melody represented its stylistically appropriate continuation. The responses for the hymn samples corresponded better to the style-specific characteristics of the corpus. In contrast, the answers for the rock samples were better correlated with a general model of tonal hierarchy.
Melodic expectation is generated under the influence of a number of factors including musical style, which plays an important part. Our aim is to research the differences in expectations in two distinct music styles. We wish to establish to what extent they will be governed by style-specific rules or alternatively by universal rules of melodic expectation, such as, for example, the expectation of melodically close or tonally stable notes. To identify the most imoportant differences between a corpus of hymns and a corpus of rock songs, a statistical analysis was carried out (calculating zero- and first-order transitional probabilities among adjacent tones). Subsequently 26 research subjects were asked in a “probe-tone” experiment to rate on a 1 to 7 scale to what extent the last note of the given melody represented its stylistically appropriate continuation. The responses for the hymn samples corresponded better to the style-specific characteristics of the corpus. In contrast, the answers for the rock samples were better correlated with a general model of tonal hierarchy.
Ako citovať:
ISO 690:
Cenkerová, Z. 2015. Melodické očakávania v kontexte hudobného štýlu. In Musicologica Slovaca , vol. 6, no.1, pp. 19-61. 1338-2594.

APA:
Cenkerová, Z. (2015). Melodické očakávania v kontexte hudobného štýlu. Musicologica Slovaca , 6(1), 19-61. 1338-2594.