Obsah
Režisér Jozef Prážmári vo svetle archívu Štefana Hudáka, strany: 14-23 Full text
Marek Cpin a jeho návraty k avantgardě, strany: 24-34 Full text
Oceľ a obrazovky, strany: 36-47 Full text
Divadlo pohybu a Viliam Dočolomanský, strany: 48-59 Full text
Romeo Castellucci: potreba divadla, strany: 60-68 Full text
Keď kráter začne dýchať... umením, strany: 140-149 Full text
Slovensko (a to jeho teátro), strany: 150-165 Full text
Koniec umenia postmoderny a výzvy novej epistémy, strany: 180-191 Full text
Divadelní inscenace prismatem objektově orientované ontologie, strany: 192-201 Full text
Multimédia a divadlo, strany: 202-216 Full text
Specifika Suzukiho hereckého tréninku a jejich účinek, strany: 218-234 Full text
Perspektívy financovania profesionálneho divadla na Slovensku, strany: 286-307 Full text
Údaje
Vydavatelia: Centrum vied o umní Slovenskej akadémie vied , Ústav divadelnej a filmovej vedy
Typ knihy: editorovaná kniha
Publikované: 29. 12. 2023
Rok vydania: 2023
Miesto vydania: Banská Bystrica
Počet strán: 312
Jazyk: slovenský, anglický
ISBN 978-80-971155-5-5 (online)
O kapitole
In: Divadlo pre 21. storočie: Zborník vedeckých príspevkov z medzinárodnej Banskobystrickej teatrologickej konferencie
Beata Popczyk-Szczęsna
Intermedial Performance in the Polish 21st Century Theatre – Selected Examples
In the Polish theatre of the 21st century, one can observe many performances in which the representation of biography
is a clear example of intermediality and remediation in the latest performing arts. Polish creators use various stage strategies in the process of transforming traces of someone else’s life. Many of these stage practices are realized in the form of intermedial relations of a given object (activity) with “old” and/or “new” audio-visual technologies. Many of them also involve the oscillation between engaging the audience emotionally and creating a distance from the act of creation.
On the example of selected performances by Krystian Lupa, Wojtek Ziemilski, Bartosz Frąckowiak and Remigiusz Brzyk, it was indicated how the discourse of intermediality correlates with different varieties of biographical practices. These are: “biotheatre” with elements of psychodrama, an intermedial performance composed of processed autobiographical threads, a monodrama-stage discourse about the process of opening archives and ironic remediation in which the "biographical action" is a component of a patchwork stage narrative.
Údaje
Strany: 86 - 101
Jazyk: anglický
Rok vydania: 2023
Kľúčové slová:
intermedial performance, remediation, discourse of intermediality, Polish 21st century theatre, biography