The Researcher’s Dilemmas. The Political Entanglement of Folk Art in The People’s Republic of Poland

Pages: 223 - 246

Language: eng

This article discusses memory research on the political entanglement of folk art in the People’s Republic of Poland (PRL), focusing on Zalipie, a village famous for painting floral ornaments. From the 1940s, researchers – often aligned with socialist authorities – played a role in shaping the phenomenon, reflecting the PRL’s cultural policies. This alignment brought economic benefits for Zalipie’s female painters, who gained opportunities to sell their crafts and travel abroad. The 1989 political transformation marked a turning point, as state support for folk art declined amidst the economic challenges of the 1990s. This period, described in terms of the “trauma of great change” (Sztompka, 2000), had a profound impact on Polish folk artists. Contemporary research in Zalipie often revisits memories of the PRL which evoke mixed emotions and challenge the dominant critical narrative about socialist rule. Anthropological studies of memory regarding the socialist past of folk art raise methodological questions. How should researchers approach politically charged histories? What narrative of the PRL emerges from interviews, and how do they align with archival records? How has the post-1989 transformation influenced these stories? These dilemmas highlight the complexities of engaging with the political and cultural heritage of folk art in Poland.

Brzozowska, L. 2025. The Researcher’s Dilemmas. The Political Entanglement of Folk Art in The People’s Republic of Poland. In Slovenský národopis / Slovak Ethnology, vol. 73, no.2, pp. 223-246. 1335-1303. DOI: https://doi.org/10.31577/SN.2025.2.20

Brzozowska, L. (2025). The Researcher’s Dilemmas. The Political Entanglement of Folk Art in The People’s Republic of Poland. Slovenský národopis / Slovak Ethnology, 73(2), 223-246. 1335-1303. DOI: https://doi.org/10.31577/SN.2025.2.20

Publisher: Ústav etnológie a sociálnej antropológie SAV, v. v. i.

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