In: ARS, vol. 57, no. 1
Daniel Grúň
Details:
Year, pages: 2024, 67 - 77
Language: slo
Keywords:
archive, performativity, memory, photography, gender, inventory of loss, Ostalgia, leftovers,
Socialism
About article:
The central motif of the essay is a critical examination of the archival turn in contemporary art.
Through the lens of the notions such as “performativity”, “memory”, and theories devoted to interpreting
the archive, the text builds on authors who have explored this phenomenon in contemporary
art. The main focus of this essay is on the expanded documentary practice by Lucia Nimcová, her
works relocating and reactivating archival photographs, in which I detect emancipatory potential that
could possibly inspire those methodologies in art history that deal with the socialist past in Central
and Eastern Europe.
How to cite:
ISO 690:
Grúň, D. 2024. Performatívna pamäť, archív a fotografia. Niekoľko poznámok k tvorbe Lucie Nimcovej / Performative Memory, Archive and Photography. A Few Notes on the Work of Lucia Nimcová. In ARS, vol. 57, no.1, pp. 67-77. 0044-9008. DOI: https://doi.org/10.31577/ars-2024-0005
APA:
Grúň, D. (2024). Performatívna pamäť, archív a fotografia. Niekoľko poznámok k tvorbe Lucie Nimcovej / Performative Memory, Archive and Photography. A Few Notes on the Work of Lucia Nimcová. ARS, 57(1), 67-77. 0044-9008. DOI: https://doi.org/10.31577/ars-2024-0005
About edition:
Published: 12. 6. 2024